David Sunfellow Photography: March 2008

Thursday, March 27, 2008

Wired Self-Portrait Photo Contest

Matt Kloskowski's Photoshop Express Getting Started Website

Matt Kloskowski's online learning center for Photoshop Express with videos on how to use everything.

Adobe Photoshop Insider on Adobe Photoshop Express

Scott Kelby of the Photoshop Insider and Matt Kloskowski of LightroomKillerTips.com take a first look at Adobe Photoshop Express, the newest addition to the Photoshop family line, Photoshop Express has taken much of Adobe's best image editing technology and made it simple and accessible to a new online audience. Photoshop Express allows users to store up to 2 gigabytes of images online for free, make edits to their photos, and share them online in creative ways, including downloading and uploading photos from popular social networking sites like Facebook.
Visit Adobe Photoshop Express Website

Friday, March 21, 2008

Best Camera Bags

Digital Photography School members were asked to give recommendations for which camera bags they liked best. The response generated 200 responses. 70 or so bags were mentioned by name. Click here to see the list of recommended camera bags.

Wooster Collective

Thursday, March 20, 2008

The Ones We Love

The Ones We Love is a project highlighting young and talented photographers from around the world. Each artist contributed six photographs of the person(s) who is most important to them, taken outdoors in a natural setting. The goal of the website is to portray the people who are loved, cherished, and inspirational to these artists, and also showcase the differences and similarities in the photographs each of them took within the same guidelines.

Monday, March 17, 2008

Documentary: Life After People

Documentary: Life After People
History Channel Documentary

What would happen to planet earth if the human race were to suddenly disappear forever? Would ecosystems thrive? What remnants of our industrialized world would survive? What would crumble fastest? From the ruins of ancient civilizations to present day cities devastated by natural disasters, history gives us clues to these questions and many more in the visually stunning and thought-provoking special LIFE AFTER PEOPLE.

Abandoned skyscrapers would, after hundreds of years, become "vertical ecosystems" complete with birds, rodents and even plant life. One small animal might be responsible for bringing down the Hoover Dam hydroelectric plant. Swelled rivers, crumbling bridges and buildings, grizzly bears in California and herds of buffalo returning to the Great Western Plains: In a world without humans, these would be the visual hallmarks. Our cars would shrivel to piles of dust, our house pets would be overtaken by flourishing wildlife and most of the records of our human story -- books, photos, records -- would fade quickly, leaving little evidence that we ever existed.

Using feature film quality visual effects and top experts in the fields of engineering, botany, ecology, biology, geology, climatology and archeology, Life After People provides an amazing visual journey through the ultimately hypothetical.

The 1986 nuclear power plant accident at Chernobyl and its aftermath provides a riveting and emotional case study of what can happen after humans have moved on. Life After People goes to remote islands off the coast of Maine to search for traces of abandoned towns, beneath the streets of New York to see how subway tunnels may become watery canals, to the Montana wilderness to divine the destiny of the bears and wolves.

Humans won't be around forever, and now we can see in detail, for the very first time, the world that will be left behind in Life After People.

HillObamary

Why Choose If You Can Combine?

DPReview: Nikon D300

Excerpt:

"The D200 was a big step forward for Nikon, the 'baby D2X' certainly gave the competition a thing or two to think about. Its big problem was the fact that Canon was still a generation ahead in the noise stakes, managing to consistently deliver clean images despite megapixel jumps. With the advent of the D300 however Nikon has conclusively removed this disparity and if anything stepped ahead of Canon (mostly thanks to its chroma based noise reduction delivering more film-like grain rather than color blotches).

"But that's just one aspect of the D300 story, almost everything else about this camera has been improved. Starting on the outside there's that stunning high resolution three inch LCD monitor, the usefulness of which shouldn't be underestimated (you'll find you get enough detail without magnifying as far), there's perhaps the best implementation of Live View to date with both contrast detect (like a compact camera, although not particularly fast) and passive auto-focus options, and there's HDMI output; a boon no doubt to studio photographers who can now provide live high resolution previews of a shot. And of course we can't talk about the D300 without giving Nikon credit for the superb build quality and robust 'go anywhere' feel the body has.

"On the inside Nikon has worked hard to deliver both better image quality and better performance; you get usable images up to ISO 3200, extended image parameter control, improved dynamic range, automatic CA removal (which immediately improves the performance of all your lenses), six frames per second continuous shooting (eight with the grip / battery combo), a new AF sensor, AF tracking by color and scene recognition. There are also an almost infinite range of customization options available, everything from how many AF areas are used to the size of the center-weighted metering circle to what happens when you hold the FUNC button and turn the command dial.

"My biggest problem writing this conclusion has been picking out the D300's weak points. The usefulness of Live View would certainly be improved with an articulating LCD monitor (although I'm sure Nikon would argue that this could compromise the integrity of the body), auto white-balance is poor in artificial light (although this isn't anything unique to the D300) and there's still no true mirror lock-up feature. But really, these few niggles are really the only things we could pick out as criticism.

"There is price, but sometimes the best products demand a premium and the D300 is no exception. Nikon's biggest problem now will be bettering the D300; it raises the bar to a new high, and represents the state of the art despite strong competition from the likes of Canon, Sony and Olympus. There's simply no better semi-professional digital SLR on the market."

Read complete review.

Saturday, March 15, 2008

Great Photographers: Ben Willmore

Great Photographers: Roberto Falck

NANPA Members' Showcase 2008

Secret Oasis, near Cameron Arizona
Shane McDermott
Wild Earth Illuminations

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Safely Curious, Katmai National Park
Shane McDermott
Wild Earth Illuminations

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Defending The Nest At Banding 2
Glenn Nevill
Glenn Nevill Photography

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Pinnacle Rock
Patrick Smith
Patrick Smith Photography

Thursday, March 6, 2008

Steve Jobs Stanford Commencement Speech 2005

Steve Jobs delivering his commencement speech to the graduates of Stanford University in 2005. In it he talks about getting fired from Apple in 1985, life and death. Informative and inspiring.

The Trouble With Steve Jobs

Fortune Magazine just published a very interesting article on Steve Jobs, the founder and CEO of Apple.

Excerpt:

By now it's one of the most remarkable stories in business. When Jobs returned in 1997 to Apple - then facing its own near-death experience - he arrived with a tarnished legend. He was, of course, the charismatic boy wonder who at age 21 had co-founded Apple with Steve Wozniak in his parents' garage back in 1976. He was worth $200 million by 25, made the cover of Time magazine at 26, and was thrown out of the company at age 30, in 1985.

What he's accomplished in the past decade has not just restored Jobs to the Silicon Valley pantheon but elevated him to the status of superstar. On the brink of bankruptcy when he returned, Apple now has a market value of $108 billion - more than Merck, McDonald's, or Goldman Sachs; $1,000 invested in Apple shares on the day Jobs took over is worth about $36,000 today. And it isn't just Apple and its investors that have benefited from Jobs' executive skill. Pixar, where he served simultaneously as CEO, has come to dominate the animation business, churning out megahits like "Finding Nemo" and "The Incredibles" that prompted Disney to buy the company in 2006 for $7.5 billion. (Jobs now owns 7.3% of Disney, worth $4.6 billion, in addition to Apple stock worth $682 million.)

No less an authority than Jack Welch has called Jobs "the most successful CEO today." Jobs, at age 53, has even become a global cultural guru, shaping what entertainment we watch, how we listen to music, and what sort of objects we use to work and play. He has changed the game for entire industries.

Jobs is also among the most controversial figures in business. He oozes smug superiority, lacing his public comments with ridicule of Apple's rivals, which he casts as mediocre, evil, and - worst of all - lacking taste. No CEO is more willful, or more brazen, at making his own rules, in ways both good and bad. And no CEO is more personally identified with - and controlling of - the day-to-day affairs of his business. Even now, Jobs views himself less as a mogul than as an artist, Apple's creator-in-chief. He has listed himself as "co-inventor" on 103 separate Apple patents, everything from the user interface for the iPod to the support system for the glass staircase used in Apple's dazzling retail stores.

Read complete article.